Bassnectar Loves Change, And You Should Too (NEW)

This is most certainly a pleasant change of pace for Lorin, a seasoned veteran when it comes it the “dirty dirty.”

Most (if not all) of my fond memories involving the music of Bassnectar revolve around one thing: grime. However, it was the filthy nature of his beats that attracted me towards his music to begin with. It only seems right that he is now switching it up a bit, attracting a larger audience and offering fans a wider spectrum of melodies, tones and instruments. After all, everyone likes variety, right?

Well, probably not. Face it, people suck and they HATE change.

Personally, we welcome it. That is, pending the artist in question continues to produce euphonic compositions. So far, I have not run into any disgruntled “Bass Heads”; I could very well see handfuls of his die-hards being a bit perturbed with his recent lighter, more melodic take on music production. “Who cares?”, said the wolf.

If there’s grass on the pitch let’s play.

Meaning, “You and Me” is nothing short of a top-quality jam. It may not sound like it’s coming from the same Bassnectar you thought you knew, but apparently you never really knew him to begin with. What do you think about that?

Mr. Ashton’s new album titled “Noise Vs. Beauty” drops June 24th on Amorphous Music.

Watch for it.

Bassnectar – Heads Up (West Coast Lo Fi Remix 2013)

Several hours ago the lord of sub-woofer himself – Bassnectar, dropped this remix to his former electronic anthem, “Heads Up.”

In his recent efforts to give “each song special treatment to bring it into a 2014 state of existence”, Lorin Ashton has been remastering, touching up and even in some cases, reinventing classic Bassnectar jams. In addition to his new versions of songs like “Wildstyle” and “Timestretch”, Lorin will release this next retake, “Heads Up”, on a remastered CD edition of the “Timestretch LP.”

Do not miss a chance to pick this up if you are a bass head like us.

It can be purchased here —> www.bassnectar.net/store

Spencer Brown | Ascension/Lockout EP [*Artists Spotlight*]

Interestingly enough, one of my colleague’s clairvoyant articles regarding “5 Songs To Remind Us Why EDM is the Future of Music” had indeed taken a gaze into a subsequent moment in time (now) and spotlighted this next artist, Spencer Brown, who is currently being championed by none other than EDM legend, Avicii.

Working closely with the Swedish progressive house master himself and the newly established record company founded by Ash Pournouri, PRMD (pronounced “pyramid”), Spencer Brown is certainly off on the right foot when it comes to developing his sound and exposing it to the world. We found Ash to be an especially compelling individual, making the Billboard’s list of Most Influential Dance Music Executives last year. Apparently the man owns a night club, manages artists, owns a new music label and is still working as an attorney by day. Damn, talk about motivated.

Spencer has always found a certain comfortability around music. Taking root in playing the drum and percussion, he eventually transition to the realm of music production, where his creativeness could firmly solidify and precipitate in the form of hip-hop and dubstep productions (inspired by the Dallas scene at that time).

At this point in time Mr. Brown was operating under the alias “Spenca”, garnering support from artists like Rusko, Bassnectar, Kill The Noise and Datsik. After releasing a few tracks on Firepower Records, Spencer Brown had a change of heart. For some time now, he had become increasingly interested with an entirely different and more subtle style of electronic dance music: House.

Determined to change the face of progressive house music, Spencer has said to have had a life-changing epiphany while experiencing a show by Eric Prydz in 2012. Spencer has now began to produce music under his full name with his premier release, “Echoes”, debuting on PRMD a few months ago. Today, with the help of Avicii, Spencer dropped his first EP under PRMD featuring two brand new tracks called “Ascension” and “Lockout.” Call this writer a fool, but it seems awfully coincidental that these were two of the greatest maps on the best FPS video game of all time: the Halo series.

Both tracks definitely bring about a slight Avicii-esque vibe, but they are whole-heartedly unique in their own right. We are particularly enamored with Spencer’s airy, stratospheric synthesizers. The first song “Ascension” has this funky feel throughout the intro that gracefully decays and slowly culminates into a beautiful build that regresses back to the introductory sounds. “Lockout” is assuredly our favorite of the two pieces. Here, Mr. Brown utilizes those resounding synthesizers we mentioned earlier to create a curiously euphoric aura set for some distant, deep-space planet. When this thing drops, every listener (and their mother) deserves to jump on board. It will be a wild ride.

We look forward to seeing what else this young talent from Dallas has to offer. With Ash and Tim by his side helping him along the way, there is absolutely no way Spencer Brown can go wrong.

Cheers mates.